Through
the crowded streets
of Toronto, Canda,
we slowly picked
our way. Construction
of a new subway
caused numerous
delays and detours.
At long last, we
found The Peoples
Church and pulled
into the parking
area. It was a Monday
afternoon, but there
were a surprising
number of cars there.
The church building
was large, but not
elaborate. There
was considerable
activity inside.
We passed a bustling
bookroom and several
secretaries busy
at their typewriters.
Quickly, we were
taken to the office
of Dr. Oswald J.
Smith, founder of
the church and noted
hymn writer. My
heart beat a little
faster as I realized
that at last my
desire for several
years would be granted:
I would meet the
greatest living
hymn writer and,
in fact, one of
the greatest Christian
leaders of our time.
It
was our privilege
to visit Dr. Smith
the day after his
81st
birthday. The secretary
announced us at
the door of his
study. Dr. Smith
rose from behind
his desk and warmly
greeted us. His
height surprised
me; he is over six
feet tall. Quickly
he made us feel
at ease and was
ready in an instant
to answer our questions,
which he did most
graciously. In response
to the first question,
"How many hymns
have you written?"
without a moment’s
hesitation, he replied,
"The Lord has
enabled me to write
1200 hymns, songs,
and poems down through
the years of my
ministry."
"What
was the first hymn
you wrote?"
"One
of my earliest hymns
was one for which
I wrote both words
and music – Deeper
and Deeper. I
wrote the music
first when I was
only 21 years of
age. I wrote the
words later when
I was 24. The words
were much more difficult
than the music."
"Did
you have any formal
music training?"
"No,
nothing special.
I took lessons,
of course, when
I was a boy, but
melody and rhythm
were born in me,
so that they just
naturally came out,
and I’ve been able
to do a little bit
along that line
ever since."
Although
Deeper and Deeper
was one of Dr. Smith’s
earliest songs,
the first to become
well known was Saved!
Saved! Saved!
Written in 1917,
eleven years after
his conversion,
"I just wanted
to express my own
personal experience
of my salvation,"
Dr. Smith explained.
As
a lad of 16, Oswald
and his brother
Ernie attended an
evangelistic campaign
conducted by R.
A. Torrey in Massey
Hall, Toronto. There
on January 28, 1906,
he was soundly converted.
The marvelous change
which took place
at that time is
expressed in the
first stanza of
his "testimony
hymn" :
Saved!
Saved! Saved! My
sins are all forgiv’n;
Christ is mine!
I’m on my way to
heav’n; Once
a guilty sinner,
lost, undone,
Now a child of God,
saved thro’ His
Son.
From
that day to this,
Oswald J. Smith
has been involved
in Christian service.
The joy of salvation
compelled him to
yield his whole
life to the Savior,
as he says in the
words of the third
stanza of this hymn:
Saved!
Saved! Saved! Oh,
joy beyond compare!
Christ my life,
and I His constant
care; Yielding
all and trusting
Him alone, Living
now each moment
as His own.
In
a very interesting
way, this "testimony"
of Oswald Smith
was "given"
two years after
it was written in
the same hall where
he had been converted.
Paul Rader was conducting
a campaign, and
his song leader
introduced this
song to the public
for the first time.
"They sang
it, 3,400 voice
sang it, until it
seemed they would
lift the roof."
"Of
all the hymns which
you have written,
Dr. Smith, which
is your personal
favorite?"
"They’re
all my favorites,
of course, but Alone
With Thee
is my most favorite
because of the music
that God gave me
for it. I think
it’s the music that
reaches the heart,
but it’s not known
like some of the
others are. I wrote
it in Winona Lake,
Indiana, in 1914
when I was 24. I
wrote the music
on year later."
"Did
it grow out of some
crisis experience
in your life?"
"It
grew out of a very
personal experience,
an engagement that
was broken and that
left a tremendous
impression upon
me in those early
days of my life."
The
intense struggle
over this disappointment
and the glorious
victory finally
won can be traced
in the words of
this favorite hymn:
Alone
with Thee when others
have forsaken,
And nought is left
save solitude to
me, My weary
heart turns throbbing
with emotion,
To find itself at
last alone with
Thee. Alone,
dear Lord, ah, yes!
Alone with Thee!
My aching heart
at rest, my spirit
free; My sorrow
gone, my burdens
all forgotten,
When far away I
soar alone with
Thee.
It
is evident from
this hymn that the
author had established
a personal prayer
life.
"How
were you led into
your prayer life,
Dr. Smith?"
"I
was led to observe
the morning watch
very, very early
in my life, soon
after I was converted,
and from that day
to this, I have
observed the morning
watch. I have written
all about this in
my book, The
Man God Uses.
I meet God before
I meet man. I spend
the first hour alone
with God, first
of all, pouring
over the pages of
the Bible, and then
walking back and
forth, up and down
the floor in my
study, pouring out
my heart in prayer.
I’ve done that 365
days of the year
for over 50 years
of my life now,
and I intend to
do it the rest of
my life."
"Has
this morning watch
had any direct bearing
on your hymn writing?"
"I
don’t know that
it has, except that
there have been
times when hymns
have come to me
during the morning
watch, and I’ve
stopped and written
them down and then
gone on with my
prayer life.
"I
write my hymns when
I’m going through
a great spiritual
crisis," he
continued, "and
every time I go
through a crisis
of any kind, I generally
express it in a
poem or a hymn.
That’s how most
of my hymns have
been born.."
"Have
your hymns generally
been finished products
at once, or have
you had to work
on them?"
"Generally,
I’ve written them
right through at
once. I’ve stayed
right with them
until I’ve been
able to complete
them. Occasionally,
I’ve had to continue
the following day
or even several
days after, but,
as a rule, as I
start to write a
hymn, I complete
it then and there."
This
method of composition
is well illustrated
by the story behind
The
Song of the Soul
Set Free,
which Dr. Smith
said is his second
best known hymn.
In 1933, A. H. Ackley
sent him the music
of this hymn. "Mr.
Ackley could not
find words for it
and asked me if
I would try to write
for it .I placed
his manuscript on
my piano in my home
at 15 Conrad Avenue,
Toronto, and immediately
went to work on
it. The theme sang
itself into my heart.
Before many minutes
had passed, I had
the first three
verses.
"Then
I came to the closing
verse, and I could
not help but think
of the angels who
were unable to sing
such a song. Finally,
I turned to the
chorus. I wanted
it to be triumphant.
Dr. Ackley’s magnificent
music, with its
great climax at
the end of the chorus,
had to have words
suitable, and I
believe God gave
them to me."
Dr.
Smith collaborated
with A. H. Ackley
and his brother,
B. D. Ackley, for
twenty-eight years.
"I met B. D.
Ackley," he
recalled, "in
Buffalo, New York,
where he was minister
of music in the
Churchill Tabernacle
when I was preaching
there one time.
The first hymn I
wrote with B. D.
Ackley was Joy
In Serving Jesus
in 1931. From the
time I met him and
his brother, I stopped
writing music altogether.
They could write
so much better."
"The
man I wrote for
first of all was
D. B. Towner, who
wrote the music
for Trust
and Obey and
many other well
known hymns. He’s
the man that really
started me in hymn
writing. My association
with him began in
1914 when I was
attending McCormick
Theological Seminary
in Chicago and he
was Director of
Music at the Moody
Bible Institute.
"I
simply started sending
him my hymn poems,"
Dr. Smith recalled,
"and he started
writing for them.
We used to meet
each other and work
at the organ together.
He’d work out the
melody and ask me
for suggestions.
He and I put out
a lot of hymns from
1914 until he died
in 1919. Christ
is Coming Back Again
Is the greatest
hymn he ever wrote
for me."
One
of the first hymns
for which Towner
wrote the music
was Jesus
Only.
Charles M. Alexander,
famous song leader,
published this for
Torrey, under whose
ministry Smith had
been converted,
and later for Chapman.
"Alexander,"
Dr. Smith explained,
"put many of
my songs into his
books, and so they
were widely distributed
in those early years.
Later, the Rodeheaver
Company published
my songs in their
books."
After
Towner’s death,
Dr. Smith worked
with Geroge C. Stebbins,
Moody’s great song
leader and composer
of the music for
Have
Thine Own Way Lord,
Some
Day the Silver Cord
Will Break,
and many more. (He
died when he was
99 years and 10
months of age.)
At present, Dr.
Smith is writing
hymns for John W.
Petersen, Redd Harper,
and for Back to
the Bible broadcast.
"What
do you think of
the modern trend
in gospel singing?"
we asked.
"I
have no use for
it at all. I don’t
appreciate it. I
don’t like it. I
detest it. Rock
music is terrible
for hymns and gospel
songs. There’s no
reverence in it
at all. That type
of music is very,
very worldly."
"What
is it that makes
it worldly?"
"I
suppose because
it makes people
dance. It gets into
their feet. Music
to become sacred
has to be associated
with sacred words
first. Many of these
hymns are so sacred
to us because all
our life they’ve
been associated
with sacred words.
That’s what makes
them mean so much
to us."
On
the wall beside
Dr. Smith’s desk,
I noticed a mounted
copy of , The
Glory of His Presence,
the third best known
of his hymns in
the hymn writer’s
estimation. "Does
that plaque have
any special significance?"
I asked.
"Somebody
sent that to me.
I don’t know why
he did."
"That
happens to be my
favorite of all
your hymns, Dr.
Smith. It seems
to be so inward,
and it usually brings
the presence of
the Lord wherever
it’s sung."
"It
does? It is the
favorite of a great
many soloists."
The
story of this beautiful
hymn is found in
Dr. Smith’s own
book, Hymn Stories,
of which he gave
us a copy:
"Sometimes
in the darkest moments
of life God gives
a song – a song
in the night. It
was so with David,
the sweet Psalmist
of Israel, and it
has been so with
me. For it was in
just such an hour
that The Glory of
His Presence was
born. Despair had
driven me to God.
Day after day, in
the midst of heartache
and disappointment,
I stole away and
walked alone with
Jesus, and oh, how
real He became!
From the depth of
the valley to the
mountain height
above, I journeyed
with Him, until
the vision of His
glory flooded all
my soul. B. D. Ackley
wed words and music.
And what an example
of interpretation!"
The
keynote of the life
of Dr. Oswald J.
Smith has been evangelism:
reaching people
with the message
of salvation. He
has conducted many
campaigns himself
and has been a most
ardent supporter
of missionary endeavors
to reach the lost
in other lands.
It is fitting, therefore,
that Dr. Smith’s
best known hymn
should be Then Jesus
Came.
"The
way that song was
born," recalled,
Dr. Smith, "was
like this: I was
standing by the
piano of B. D. Ackley
in Philadelphia.
We were trying over
some new hymns,
when suddenly Homer
Rodeheaver walked
into the room. He
said to me, ‘I’d
like a hymn that
tells the conditions
of people before
Christ met them
and before they
met Christ; and
then the change
that took place
and their conditions
after they met Jesus.
Would you be willing
to write such a
hymn?’
"I
said, I’d be glad
to try. I went back
to the China Inland
Mission headquarters
where I was being
entertained in Philadelphia
and sat down that
evening and I wrote
this hymn.
"I
gave it to Mr. Rodeheaver
the next day. He
wrote the magnificent
music to which it
is now sung, and
so it started on
its way. When Homer
Rodeheaver sang
it, he would put
up his coat collar
and pretend that
he was the man he
was singing about.
He would act it
out right from beginning
to end."
This
best known hymn
of Dr. Smith portrays
the healing of a
blind beggar in
the first stanza,
the deliverance
of the demoniac
of Gadara in the
second, while the
third describes
the cure of a leper
and the healing
of miscellaneous
other sick ones.
The fourth stanza
is not always included
in the published
version of this
hymn. It describes
the resurrection
of Lazarus and was
actually the story
Dr. Rodeheaver had
in mind when he
conceived the idea
for this hymn:
Their
hearts were sad,
as in the tomb they
ladi Him, For
death had come and
taken him away;
Their night was
dark, and bitter
tears were falling;
Then Jesus came,
and night was turned
to day.
The
fifth and last stanza
describes the experience
of Dr. Smith as
well as the thousands
whom he has introduced
to Jesus. At the
same time, it is
an invitation to
all to open their
heart’s door and
invite Jesus to
come in to stay.
So
men today have found
the Savior able,--
They could not conquer
passion, lust and
sin; Their broken
hearts had left
them sad and lonely,-
Then Jesus came
and dwelt Himself
within. When
Jesus comes, the
tempter’s pow’r
is broken; When
Jesus comes, the
tears are wiped
away. He takes
the gloom and fills
the life with glory,
For all is changed
when Jesus comes
to stay.
At
the close of our
interview, Dr. Smith
took us through
the sanctuary. "We
had to put up extra
chairs last night,"
he remarked as he
pointed out the
clever design of
the seating arrangement.
Dr. Smith is now
"Minister of
Missions" at
the church that
he founded more
than forty years
ago. For many years,
The Peoples Church
has had the largest
Sunday evening audience
in all of Canada,
and now also has
the largest Sunday
School as well.
Its most outstanding
feature is its missionary
program, for the
church has contributed
more than seven
million dollars
to missions.
At
81, Dr. Smith is
tremendously agile.
His long and quick
steps forced us
to hurry to keep
up with him. His
entire manner is
that of a man with
purpose and determination.
He exudes confidence.
He has a great job
to do, and he has
been given power
to do that job for
more than 60 years.
Oswald
J. Smith |